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Allan
Kozinn: If
you look at how music was taught in public schools 40 years
ago and for decades before that you'll see exactly
what's needed now. Back then it was simple:
Music was part of the curriculum, like math, science and social
studies...1
Leon
Botstein: ...classical music training has become a
powerful tool in the improvement of primary and secondary
school education.2
Zeke
Vanderhoek: Music ... proven to most positively impact
linguistic development.3
Nina
Kraus: Increasing music experience appears to benefit
all children --whether musically exceptional or not -- in
a wide range of learning activities, says Nina Kraus,
director of Northwestern's Auditory Neuroscience Laboratory
and senior author of the study. Our findings underscore
the pervasive impact of musical training on neurological development.
Yet music classes are often among the first to be cut
when school budgets get tight. That's a mistake,
says Kraus.4
David
Elkind, writing about WALDORF SCHOOLS: Music
is introduced at an early age so that children learn to play
simple instruments and progress to more complex ones. They
learn to use their bodies to move in time with music and to
express ideas and emotions. It is an educational program that
melds play, love, and work, as I have advocated throughout
this book.5
Rachel
Moore, Executive Director, American Ballet Theater: Ninety-nine
percent of the students who take classes in this country don't
become professionals, but we want them to have a good experience
that develops a life long love of dance. They are our future
audience.6 [And for all arts too.--ja]
(The
above is for information only. Although one of them has signed,
we hope that you could help get the others to sign too.)
WE
THE UNDERSIGNED PETITION ALL GOVERNMENT AND
PUBLIC OFFICIALS TO MAKE ARTS AND MUSIC EDUCATION
INCLUDING DANCE PART OF THE CORE
CURRICULUM IN ALL NEW YORK CITY PUBLIC SCHOOLS.
Please join us by adding your
name to the PETITION.
CHILDREN WELCOME TO SIGN!7
AND
PLEASE INVITE AS MANY AS POSSIBLE TO SIGN TOO.
THANK YOU!
Sincerely,
EL SISTEMA-NEW YORK CITY
|
1 |
Allan
Kozinn, To
Provide Quality Music Education Now, Schools Could Learn
From the Past,New York Times, December 25, 2007. |
| 2 |
THE
WALL STREET JOURNAL, October 3, 2008. Leon Botstein:president
of Bard College and music director of the American Symphony
Orch. |
| 3 |
The
New York Times, March 14, 2008.
Zeke Vanderhoek, founder of The Equity Project Charter
School where teachers' starting salary will be $125,000;
he also founded
GMATManhattan |
| 4 |
Professor
Nina Kraus, Northwestern Univ.
Also: http://www.youtube.com/watch?v=-2pF7_1Q78A |
| 5 |
The
Power of Play,
page 209. David Elkind: Prof. Emeritus, Child Development
Dept., Tufts Universty. |
| 6 |
Thanks
to ES-NYC founding member Olivia Koppell for the heads
up on Hanna Rubin's article School for Ballet,
in PLAYBILL, June 2008. |
| 7 |
DEMOCRATIC
UNIVERSAL SUFFRAGE |
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